Our work is framed in certain discussions around the anthropobscene. It problematizes marks of damage and resistance of mining extractivism in territory. From a speculative game with the representation of Peirce's triadic sign, we think of the inverted triangle -open pit- as a performative figure to read a corpus produced from fragments of Historia de la Mineria en Argentina (Segemar, 2004) as a key to an extractive semiotics. As a practice of memory arts of human and non -human resistances to mining extractivism, we recover the concept of geopoiesis as a possible derivation of sympoiesis. It generates -with the organic and the inorganic, that which lives at the level of the soil, subsoil, and atmosphere and in material continuity with its astral natur. We think of writing as a practice of the arts of memory and of remaking shelters. Therefore, certain edaphographies are part of a geological and cosmological writing: cosmographies.
来源平台：ESTUDIOS DE TEORIA LITERARIA-REVISTA DIGITAL-ARTES LETRAS HUMANIDADES
